85 bars of 4/4 at 114 BPM, about 2:59 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-13, 28-31 and 64, and 1 more place -- 25.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 13 times: bars 14, 23, 27, 35, 43, 47 and 7 more.
3 more fills are written out on the fills page.
85 bars across 11 sections: 60 keep time, 13 are fills and 2 are stops. The longest unbroken stretch of time is bars 1-13.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
85 bars, about 2:59 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 14, 23, 27, 35, 43, 47 and 7 more.