20 bars, 1:09, at 70 BPM: slow enough that every note is exposed. Ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 7-8, 10-11 and 16-17 -- 37.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
20 bars across 2 sections: 16 keep time and 4 are silent. The longest unbroken stretch of time is bars 5-20.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
20 bars, about 1:09 at the written tempo. The course breaks it into 5 exercises over 3 sittings, about 21 minutes each.
ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.