121 bars of 4/4 at 133 BPM, about 3:38 of playing, on crash, ride, hi-hat, snare, high tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 23-24, 31-37 and 39-45, and 7 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 4 times: bars 2, 64, 70 and 96.
121 bars across 15 sections: 95 keep time, 4 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 106-120.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
121 bars, about 3:38 at the written tempo. The course breaks it into 30 exercises over 7 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 4 times: bars 2, 64, 70 and 96.