121 bars of 4/4 at 130 BPM, about 3:34 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3, 7 and 11, and 21 more places -- 19.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 31 times: bars 1, 8, 9, 12, 24, 25 and 25 more.
4 more fills are written out on the fills page.
121 bars across 5 sections: 72 keep time, 31 are fills and 11 are stops. The longest unbroken stretch of time is bars 13-23.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
121 bars, about 3:34 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 31 times: bars 1, 8, 9, 12, 24, 25 and 25 more.