138 bars at 210 BPM -- fast, and 2:38 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 35, 37-38 and 51, and 8 more places -- 27.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
20 fills to learn, played 27 times: bars 8, 16, 24, 31, 32, 36 and 21 more.
16 more fills are written out on the fills page.
138 bars across 16 sections: 82 keep time, 29 are fills, 12 are stops and 3 are silent. The longest unbroken stretch of time is bars 73-83.
210 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
138 bars, about 2:38 at the written tempo. The course breaks it into 51 exercises over 13 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 27 times: bars 8, 16, 24, 31, 32, 36 and 21 more.