240 bars at 170 BPM -- fast, and 5:37 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 29-30, 37-38 and 81-82, and 6 more places -- 10.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 75 times: bars 11, 12, 19, 20, 25, 26 and 69 more.
17 more fills are written out on the fills page.
240 bars across 24 sections: 117 keep time, 75 are fills, 12 are stops and 12 are silent. The longest unbroken stretch of time is bars 49-55.
170 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
93 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 75 out of 100; the rest of the number is everything around it.
240 bars, about 5:37 at the written tempo. The course breaks it into 78 exercises over 27 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 75 times: bars 11, 12, 19, 20, 25, 26 and 69 more.