69 bars of 6/4 -- not four -- at 90 BPM, 4:12 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10, 13 and 15, and 5 more places -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 3 times: bars 19, 28 and 33.
69 bars across 8 sections: 29 keep time, 3 are fills and 31 are silent. The longest unbroken stretch of time is bars 11-17.
90 BPM, in 6/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
69 bars, about 4:12 at the written tempo. The course breaks it into 18 exercises over 7 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 19, 28 and 33.