95 bars at 170 BPM -- fast, and 2:13 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 8, 12 and 14, and 14 more places -- 19.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 20 times: bars 9, 11, 17, 19, 23, 24 and 14 more.
5 more fills are written out on the fills page.
95 bars across 14 sections: 40 keep time, 20 are fills, 19 are stops and 8 are silent. The longest unbroken stretch of time is bars 86-93.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
95 bars, about 2:13 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 20 times: bars 9, 11, 17, 19, 23, 24 and 14 more.