125 bars of 4/4 at 122 BPM, about 4:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 11 more places -- 18.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 36 times: bars 1, 2, 3, 4, 20, 32 and 30 more.
8 more fills are written out on the fills page.
125 bars across 14 sections: 66 keep time, 36 are fills, 3 are stops and 1 is silent. The longest unbroken stretch of time is bars 105-117.
122 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
100 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 51 out of 100; the rest of the number is everything around it.
125 bars, about 4:06 at the written tempo. The course breaks it into 51 exercises over 21 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 36 times: bars 1, 2, 3, 4, 20, 32 and 30 more.