14 bars of 4/4 at 112 BPM, about 0:30 of playing, on hi-hat, snare and kick.
The beat the song is built on is a 2-bar phrase, played through bars 5-8 -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14 bars across 3 sections: 10 keep time and 2 are silent. The longest unbroken stretch of time is bars 3-7.
112 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
14 bars, about 0:30 at the written tempo. The course breaks it into 7 exercises over 3 sittings, about 26 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.