77 bars of 4/4 at 110 BPM, about 2:44 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19-25 and 51-54 -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 11 times: bars 14, 35, 62, 63, 64, 65 and 5 more.
1 more fill is written out on the fills page.
77 bars across 9 sections: 53 keep time, 11 are fills and 1 is a stop. The longest unbroken stretch of time is bars 27-34.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 7 out of 100; the rest of the number is everything around it.
77 bars, about 2:44 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 11 times: bars 14, 35, 62, 63, 64, 65 and 5 more.