89 bars of 4/4 at a walking 104 BPM, 3:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-16, 19-20 and 34-37, and 2 more places -- 14.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 9 times: bars 56, 57, 61, 68, 69, 81 and 3 more.
2 more fills are written out on the fills page.
89 bars across 15 sections: 57 keep time, 9 are fills, 3 are stops and 2 are silent. The longest unbroken stretch of time is bars 1-8.
104 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
89 bars, about 3:25 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 56, 57, 61, 68, 69, 81 and 3 more.