159 bars of 4/4 at 138 BPM, about 4:40 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 70-76, 78-84 and 125-131, and 1 more place -- 18.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 41 times: bars 4, 14, 15, 16, 17, 18 and 35 more.
11 more fills are written out on the fills page.
159 bars across 17 sections: 81 keep time, 41 are fills, 21 are stops and 5 are silent. The longest unbroken stretch of time is bars 55-66.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
159 bars, about 4:40 at the written tempo. The course breaks it into 51 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 41 times: bars 4, 14, 15, 16, 17, 18 and 35 more.