108 bars of 4/4 at 135 BPM, about 3:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 5-11, 13-15 and 17-19, and 2 more places -- 18.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 13 times: bars 31, 33, 37, 47, 49, 52 and 7 more.
3 more fills are written out on the fills page.
108 bars across 11 sections: 59 keep time, 13 are fills, 23 are stops and 7 are silent. The longest unbroken stretch of time is bars 5-28.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
108 bars, about 3:12 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 31, 33, 37, 47, 49, 52 and 7 more.