78 bars of 4/4 at a walking 100 BPM, 3:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 26-27, 30-31 and 54-55, and 5 more places -- 20.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 32 times: bars 10, 11, 12, 13, 14, 15 and 26 more.
78 bars across 5 sections: 40 keep time, 32 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 55-77.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
78 bars, about 3:07 at the written tempo. The course breaks it into 15 exercises over 9 sittings, about 20 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 32 times: bars 10, 11, 12, 13, 14, 15 and 26 more.