124 bars of 4/4 at 140 BPM, about 3:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6-7, 10-11 and 22, and 11 more places -- 28.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 33 times: bars 4, 8, 12, 14, 16, 18 and 27 more.
6 more fills are written out on the fills page.
124 bars across 9 sections: 79 keep time, 33 are fills, 2 are stops and 3 are silent. The longest unbroken stretch of time is bars 86-99.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
124 bars, about 3:33 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 33 times: bars 4, 8, 12, 14, 16, 18 and 27 more.