129 bars of 4/4 at 125 BPM, about 4:08 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 19, 21 and 23, and 28 more places -- 24.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 20 times: bars 2, 6, 10, 18, 26, 34 and 14 more.
6 more fills are written out on the fills page.
129 bars across 12 sections: 64 keep time, 20 are fills, 32 are stops and 1 is silent. The longest unbroken stretch of time is bars 11-17.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 20 out of 100; the rest of the number is everything around it.
129 bars, about 4:08 at the written tempo. The course breaks it into 41 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 20 times: bars 2, 6, 10, 18, 26, 34 and 14 more.