97 bars of 4/4 at a walking 108 BPM, 3:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6-7, 17-19 and 21-23, and 1 more place -- 10.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 38 times: bars 3, 4, 5, 8, 16, 20 and 32 more.
11 more fills are written out on the fills page.
97 bars across 15 sections: 37 keep time, 38 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 12-15.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
97 bars, about 3:36 at the written tempo. The course breaks it into 46 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 38 times: bars 3, 4, 5, 8, 16, 20 and 32 more.