113 bars of 4/4 at a walking 97 BPM, 4:40 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 27-29, 31-33 and 37, and 8 more places -- 18.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 33 times: bars 9, 10, 22, 25, 26, 30 and 27 more.
8 more fills are written out on the fills page.
113 bars across 12 sections: 61 keep time, 33 are fills, 6 are stops and 1 is silent. The longest unbroken stretch of time is bars 2-8.
97 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
113 bars, about 4:40 at the written tempo. The course breaks it into 39 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 33 times: bars 9, 10, 22, 25, 26, 30 and 27 more.