192 bars of 4/4 at 110 BPM, about 6:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 27-32, 35 and 38-40, and 3 more places -- 12.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 40 times: bars 24, 25, 33, 52, 53, 54 and 34 more.
15 more fills are written out on the fills page.
192 bars across 21 sections: 93 keep time, 40 are fills, 10 are stops and 24 are silent. The longest unbroken stretch of time is bars 34-48.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
192 bars, about 6:59 at the written tempo. The course breaks it into 72 exercises over 18 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 40 times: bars 24, 25, 33, 52, 53, 54 and 34 more.