114 bars of 4/4 at 120 BPM, about 3:43 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 46, 48-50 and 52-53, and 2 more places -- 11.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 20 times: bars 1, 5, 9, 13, 14, 15 and 14 more.
10 more fills are written out on the fills page.
114 bars across 13 sections: 71 keep time, 20 are fills, 10 are stops and 2 are silent. The longest unbroken stretch of time is bars 38-44.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
114 bars, about 3:43 at the written tempo. The course breaks it into 45 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 20 times: bars 1, 5, 9, 13, 14, 15 and 14 more.