391 bars of 4/4 at a walking 84 BPM, 18:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 337-360, 362-375 and 380-385 -- 12% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 80 times: bars 31, 32, 33, 34, 35, 36 and 74 more.
18 more fills are written out on the fills page.
393 bars across 30 sections: 232 keep time, 80 are fills, 22 are stops and 26 are silent. The longest unbroken stretch of time is bars 338-375.
84 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
391 bars, about 18:33 at the written tempo. The course breaks it into 107 exercises over 28 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 80 times: bars 31, 32, 33, 34, 35, 36 and 74 more.