290 bars of 4/4 at a walking 106 BPM, 10:57 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 16-25, 44-53 and 159-184, and 2 more places -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 40 times: bars 4, 8, 26, 27, 31, 35 and 34 more.
15 more fills are written out on the fills page.
290 bars across 19 sections: 167 keep time, 40 are fills, 61 are stops and 3 are silent. The longest unbroken stretch of time is bars 159-184.
106 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
290 bars, about 10:57 at the written tempo. The course breaks it into 68 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 40 times: bars 4, 8, 26, 27, 31, 35 and 34 more.