171 bars of 4/4 at 145 BPM, about 4:43 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-10, 12-14 and 20, and 13 more places -- 23.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 21 times: bars 7, 8, 16, 24, 36, 40 and 15 more.
7 more fills are written out on the fills page.
171 bars across 13 sections: 127 keep time, 21 are fills, 5 are stops and 1 is silent. The longest unbroken stretch of time is bars 65-77.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 26 out of 100; the rest of the number is everything around it.
171 bars, about 4:43 at the written tempo. The course breaks it into 47 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 21 times: bars 7, 8, 16, 24, 36, 40 and 15 more.