174 bars of 4/4 at 130 BPM, about 5:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 33-40, 66-73 and 147-154 -- 13.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 6 times: bars 57, 114, 133, 134, 138 and 163.
1 more fill is written out on the fills page.
174 bars across 21 sections: 137 keep time, 6 are fills and 1 is silent. The longest unbroken stretch of time is bars 1-15.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
91 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 76 out of 100; the rest of the number is everything around it.
174 bars, about 5:24 at the written tempo. The course breaks it into 59 exercises over 23 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 6 times: bars 57, 114, 133, 134, 138 and 163.