135 bars of 4/4 at 130 BPM, about 4:09 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9, 25-26 and 33-34, and 12 more places -- 27.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 13 times: bars 16, 24, 37, 38, 46, 54 and 7 more.
135 bars across 13 sections: 98 keep time, 13 are fills, 1 is a stop and 8 are silent. The longest unbroken stretch of time is bars 26-36.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
135 bars, about 4:09 at the written tempo. The course breaks it into 31 exercises over 7 sittings, about 29 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 13 times: bars 16, 24, 37, 38, 46, 54 and 7 more.