133 bars of 4/4 at 140 BPM, about 3:43 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 14-16, and 3 more places -- 12.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 32 times: bars 12, 13, 21, 29, 31, 33 and 26 more.
12 more fills are written out on the fills page.
133 bars across 12 sections: 78 keep time, 32 are fills, 6 are stops and 3 are silent. The longest unbroken stretch of time is bars 93-100.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 83 out of 100; the rest of the number is everything around it.
133 bars, about 3:43 at the written tempo. The course breaks it into 55 exercises over 18 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 32 times: bars 12, 13, 21, 29, 31, 33 and 26 more.