90 bars of 4/4 at a walking 95 BPM, 3:45 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 5-8, 30-33 and 87-89 -- 12.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 16 times: bars 6, 8, 21, 29, 31, 33 and 10 more.
4 more fills are written out on the fills page.
90 bars across 14 sections: 50 keep time, 16 are fills and 4 are silent. The longest unbroken stretch of time is bars 72-77.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
90 bars, about 3:45 at the written tempo. The course breaks it into 41 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 16 times: bars 6, 8, 21, 29, 31, 33 and 10 more.