96 bars of 4/4 at a walking 103 BPM, 3:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 28-29, 31 and 77-78, and 1 more place -- 8.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 3 times: bars 13, 14 and 35.
103 bars across 10 sections: 67 keep time, 3 are fills, 5 are stops and 19 are silent. The longest unbroken stretch of time is bars 17-31.
103 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
93 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
96 bars, about 3:30 at the written tempo. The course breaks it into 38 exercises over 17 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 13, 14 and 35.