178 bars of 4/4 at 110 BPM, about 6:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 71-72, 95-101 and 103-108 -- 10.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 20 times: bars 12, 15, 16, 18, 20, 24 and 14 more.
11 more fills are written out on the fills page.
178 bars across 20 sections: 78 keep time, 20 are fills, 37 are stops and 29 are silent. The longest unbroken stretch of time is bars 94-101.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
178 bars, about 6:25 at the written tempo. The course breaks it into 55 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 20 times: bars 12, 15, 16, 18, 20, 24 and 14 more.