127 bars of 4/4 at 110 BPM, about 4:32 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 1, 3 and 50, and 2 more places -- 11.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 75 times: bars 4, 5, 6, 7, 8, 12 and 69 more.
16 more fills are written out on the fills page.
127 bars across 11 sections: 32 keep time, 75 are fills, 10 are stops and 2 are silent. The longest unbroken stretch of time is bars 62-66.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
98 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 4 out of 100; the rest of the number is everything around it.
127 bars, about 4:32 at the written tempo. The course breaks it into 47 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 75 times: bars 4, 5, 6, 7, 8, 12 and 69 more.