103 bars of 4/4 at 120 BPM, about 3:26 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 67, 69-71 and 73, and 3 more places -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 10 times: bars 38, 42, 58, 66, 74, 82 and 4 more.
1 more fill is written out on the fills page.
103 bars across 9 sections: 50 keep time, 10 are fills, 15 are stops and 21 are silent. The longest unbroken stretch of time is bars 21-28.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
103 bars, about 3:26 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 38, 42, 58, 66, 74, 82 and 4 more.