112 bars of 4/4 at 127 BPM, about 3:32 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 34-36, 38-40 and 42-44, and 4 more places -- 21.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 32 times: bars 14, 15, 17, 18, 19, 27 and 26 more.
10 more fills are written out on the fills page.
112 bars across 13 sections: 52 keep time, 32 are fills, 5 are stops and 13 are silent. The longest unbroken stretch of time is bars 20-26.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
112 bars, about 3:32 at the written tempo. The course breaks it into 45 exercises over 13 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 32 times: bars 14, 15, 17, 18, 19, 27 and 26 more.