105 bars of 4/4 at 117 BPM, about 3:34 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 11-18, 27-32 and 45-47, and 3 more places -- 28.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 15 times: bars 10, 33, 34, 41, 42, 43 and 9 more.
6 more fills are written out on the fills page.
105 bars across 14 sections: 67 keep time, 15 are fills, 7 are stops and 7 are silent. The longest unbroken stretch of time is bars 11-18.
117 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
105 bars, about 3:34 at the written tempo. The course breaks it into 37 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 15 times: bars 10, 33, 34, 41, 42, 43 and 9 more.