46 bars of 4/4 at 150 BPM, about 1:12 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 12-14, 16-18 and 38-44 -- 28.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 3 times: bars 1, 21 and 25.
46 bars across 5 sections: 33 keep time, 3 are fills, 6 are stops and 1 is silent. The longest unbroken stretch of time is bars 37-45.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
46 bars, about 1:12 at the written tempo. The course breaks it into 15 exercises over 5 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 1, 21 and 25.