133 bars at 157 BPM -- fast, and 3:23 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7, 9-12 and 81-83, and 1 more place -- 10.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 12 times: bars 4, 17, 30, 52, 54, 58 and 6 more.
6 more fills are written out on the fills page.
133 bars across 17 sections: 80 keep time, 12 are fills, 20 are stops and 2 are silent. The longest unbroken stretch of time is bars 6-15.
157 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
80 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
133 bars, about 3:23 at the written tempo. The course breaks it into 53 exercises over 20 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 12 times: bars 4, 17, 30, 52, 54, 58 and 6 more.