73 bars, 5:37, at 52 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 7-8, 10-12 and 14-16, and 6 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 15 times: bars 4, 5, 6, 21, 22, 40 and 9 more.
5 more fills are written out on the fills page.
73 bars across 10 sections: 47 keep time, 15 are fills and 1 is silent. The longest unbroken stretch of time is bars 23-32.
52 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
73 bars, about 5:37 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 15 times: bars 4, 5, 6, 21, 22, 40 and 9 more.