98 bars of 5/4 -- not four -- at 107 BPM, 4:35 of playing on crash, snare, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 57, 59 and 63-67, and 1 more place -- 15.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
98 bars across 10 sections: 60 keep time, 4 are stops and 21 are silent. The longest unbroken stretch of time is bars 58-75.
107 BPM, in 5/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
98 bars, about 4:35 at the written tempo. The course breaks it into 35 exercises over 11 sittings, about 26 minutes each.
crash, snare, kick and hi-hat foot. Nothing in the part asks for anything else.