127 bars of 4/4 at a walking 90 BPM, 5:09 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 26-32, 34-40 and 50-52, and 1 more place -- 17.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 10 times: bars 17, 21, 25, 33, 49, 53 and 4 more.
4 more fills are written out on the fills page.
127 bars across 18 sections: 77 keep time, 10 are fills, 1 is a stop and 14 are silent. The longest unbroken stretch of time is bars 2-11.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 48 out of 100; the rest of the number is everything around it.
127 bars, about 5:09 at the written tempo. The course breaks it into 48 exercises over 17 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 10 times: bars 17, 21, 25, 33, 49, 53 and 4 more.