134 bars of 4/4 at 150 BPM, about 3:34 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 30-32, 34-35 and 65-67, and 8 more places -- 18.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 29 times: bars 4, 6, 8, 9, 15, 19 and 23 more.
14 more fills are written out on the fills page.
134 bars across 17 sections: 86 keep time, 29 are fills and 2 are silent. The longest unbroken stretch of time is bars 63-79.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
134 bars, about 3:34 at the written tempo. The course breaks it into 54 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 29 times: bars 4, 6, 8, 9, 15, 19 and 23 more.