144 bars of 4/4 at 145 BPM, about 3:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1, 20 and 22, and 12 more places -- 11.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 39 times: bars 2, 3, 21, 23, 25, 26 and 33 more.
12 more fills are written out on the fills page.
144 bars across 12 sections: 50 keep time, 39 are fills, 35 are stops and 9 are silent. The longest unbroken stretch of time is bars 55-61.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 0 out of 100; the rest of the number is everything around it.
144 bars, about 3:58 at the written tempo. The course breaks it into 56 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 39 times: bars 2, 3, 21, 23, 25, 26 and 33 more.