100 bars of 4/4 at 120 BPM, about 3:16 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 28-39 -- 13.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 7 times: bars 22, 43, 51, 59, 63, 67 and 1 more.
3 more fills are written out on the fills page.
102 bars across 18 sections: 60 keep time, 8 are fills, 13 are stops and 13 are silent. The longest unbroken stretch of time is bars 28-39.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
100 bars, about 3:16 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 7 times: bars 22, 43, 51, 59, 63, 67 and 1 more.