100 bars of 4/4 at 120 BPM, about 3:16 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bars 1-8, snare through bars 9-41, hi-hat through bars 42-43, snare through bars 44-52, silence through bars 53-55 and snare through bars 56-71, and 4 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 28-39 -- 13.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
28 29
1...............2...............3...............4............... 1...............2...............3...............4...............
CC |x-------------------------------x-------------------------------|x-------------------------------x-------------------------------|
SD |--------------------------------x-------------------------------|--------------------------------x-------------------------------|
BD |x-x-x---x-------x-x-x---x---------------x-x-x---x-------x-x-x---|x-------x-x-x---x-----------------------x-x-x---x---------------|7 fills to learn, played 7 times: bars 22, 43, 51, 59, 63, 67 and 1 more.
It cuts the song into 39 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
100 bars, about 3:16 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 7 times: bars 22, 43, 51, 59, 63, 67 and 1 more.