123 bars of 4/4 at 120 BPM, about 4:05 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14, 34 and 40-43, and 9 more places -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 7 times: bars 10, 11, 21, 23, 31, 65 and 1 more.
1 more fill is written out on the fills page.
123 bars across 13 sections: 86 keep time, 8 are fills, 9 are stops and 5 are silent. The longest unbroken stretch of time is bars 105-118.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 31 out of 100; the rest of the number is everything around it.
123 bars, about 4:05 at the written tempo. The course breaks it into 42 exercises over 12 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 10, 11, 21, 23, 31, 65 and 1 more.