167 bars of 4/4 at a walking 108 BPM, 5:46 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 101-107, 109-111 and 113-119, and 2 more places -- 34.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 5 times: bars 10, 18, 50, 58 and 156.
167 bars across 9 sections: 108 keep time, 5 are fills, 27 are stops and 20 are silent. The longest unbroken stretch of time is bars 102-155.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
167 bars, about 5:46 at the written tempo. The course breaks it into 19 exercises over 5 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 5 times: bars 10, 18, 50, 58 and 156.