70 bars of 4/4 at a walking 90 BPM, 3:04 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 6-9, 19-21 and 49-51, and 3 more places -- 24.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 14 times: bars 13, 17, 25, 31, 35, 36 and 8 more.
2 more fills are written out on the fills page.
70 bars across 6 sections: 48 keep time, 14 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 18-24.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
70 bars, about 3:04 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 14 times: bars 13, 17, 25, 31, 35, 36 and 8 more.