74 bars of 6/4 -- not four -- at 88 BPM, 4:21 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 18-20, 22-24 and 26-28, and 1 more place -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1 fill to learn, played 3 times: bars 21, 29 and 55.
74 bars across 8 sections: 40 keep time, 3 are fills, 1 is a stop and 26 are silent. The longest unbroken stretch of time is bars 9-16.
88 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
74 bars, about 4:21 at the written tempo. The course breaks it into 19 exercises over 6 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 3 times: bars 21, 29 and 55.