78 bars of 4/4 at a walking 90 BPM, 3:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 5-7, 9-12 and 14-17, and 2 more places -- 27.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 13 times: bars 8, 13, 21, 31, 43, 47 and 7 more.
6 more fills are written out on the fills page.
78 bars across 12 sections: 50 keep time, 13 are fills, 1 is a stop and 6 are silent. The longest unbroken stretch of time is bars 32-39.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
78 bars, about 3:28 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 13 times: bars 8, 13, 21, 31, 43, 47 and 7 more.