160 bars of 4/4 at 140 BPM, about 4:34 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 39-46, 51-57 and 68-75, and 1 more place -- 19.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 15 times: bars 17, 18, 80, 81, 82, 83 and 9 more.
160 bars across 18 sections: 117 keep time, 15 are fills, 5 are stops and 3 are silent. The longest unbroken stretch of time is bars 99-112.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
160 bars, about 4:34 at the written tempo. The course breaks it into 45 exercises over 14 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 15 times: bars 17, 18, 80, 81, 82, 83 and 9 more.