152 bars of 4/4 at 130 BPM, about 4:27 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 85-100, 109-116 and 125-140 -- 26.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 25 times: bars 20, 21, 22, 23, 24, 25 and 19 more.
2 more fills are written out on the fills page.
163 bars across 23 sections: 102 keep time, 25 are fills, 4 are stops and 11 are silent. The longest unbroken stretch of time is bars 85-99.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
152 bars, about 4:27 at the written tempo. The course breaks it into 51 exercises over 16 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 25 times: bars 20, 21, 22, 23, 24, 25 and 19 more.